Workshops for schools
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Workshops for schools
Plus... “ WET AND WILD “...optional extra
Learn a few tricks and skits with water. Find out hot to do a pie in the face ! Warning...everyone will get wet, bring a towel and spare T shirt.

CLOWN PERFORMANCE

TRYING AN IMPROVISATION
BUILD CONFIDENCE
IMPROVE SELF ESTEEM
WORKING TOGETHER
“ Taking risks is an essential part of learning and this implies the right to fail “
“ Clowns enable us to embrace failing as part of learning “
“ As the clown exposes his / her failure, he / she is representing us, all our failures ; representing our fragility, our lost naivety, our hopes of being a free soul “
“ Why do we like clowns so much ? Because they say the truth. For us to be a clown, we need to overcome the fear of saying the truth “
SOME PHILOSOPHICAL THOUGHTS
CLOWN TEACHERS AT A SCHOOL
Richmond, Darlington, Catterick, Catterick Garrison, Bedale, Leyburn, Hawes, Northallerton, Thirsk, Ripon, Harrogate, Knaresborough, York, Wetherby, Tadcaster, Malton, Bridlington, Scarborough, Whitby, Saltburn, Redcar, Middlesbrough, Stokesley,  Marske, Stockton, Billingham, Hartlepool, Sedgefield, Newton Aycliffe, Shildon, Bishop Auckland, Spennymoor, Skipton, Ilkley, Keighley, Hornsea, Pickering, Otley, Beverley, North Yorkshire, County Durham, Cleveland, Teesside, Tees Valley, Swaledale, Wensleydale, Teesdale, Yorkshire Dales, North Yorkshire Moors, Driffield, Consett, Chester Le Street, Washington, Gateshead, Sunderland, South Shields, Newcastle, Newcastle Upon Tyne, Gosforth, Tynemouth, Hexham, Morpeth, Ashington, Easington, Peterlee, Seaham, Sunderland, Blyth, Tyneside, Wearside, Wear Dale, Tyne Dale, Penrith, Carlisle, Northumberland, Alnwick, Berwick, Edinburgh, Galashiels, Hawick, Jedburgh, Kelso, Coldstream, Berwick Upon tweed, Scotland, Glasgow, Greenock, Kilmarnock, Dumfries, Workington, Whitehaven, Cumbria, Barrow, Barrow in Furness, Ulverston, Windermere, Kendal, Keswick, Morecambe, Lancaster, Settle, Clitheroe, Lake District, Isle of Man, Douglas, Blackpool, Preston, Southport, Liverpool, Wallasey, Birkenhead, Ellesmere Port, Chester, Wrexham, Nantwich, Northwich, Runcorn, Warrington, St Helens, Wigan, Manchester, Bolton, Rochdale, Oldham, Blackburn, Burnley, St Helens, Warrington, Macclesfield, Lancashire, Cheshire, West Yorkshire, West Yorks, Buxton, Bakewell, Matlock, Chesterfield, Derbyshire, High Peak, Sheffield, Huddersfield, Barnsley, Dewsbury, Halifax, Bradford, Leeds, York, Yorkshire, North Yorks, Rotherham, Doncaster, Worksop, Mansfield, Lincoln, Gainsborough, Scunthorpe, Cleethorpes, Hull, Withernsea, Goole, Knottingley, Castleford, Selby, Linclnshire, Humberside, Normanton, Garforth, Birmingham, London, Wales, Northern Ireland, Eire, Southern Ireland, Ireland

Areas covered

E mail address :  enquiries@workshops-for-schools.co.uk

For more information or to book, please contact us

Tel 01748 821621 or mob 07984 495089

“ Great ! Thank you - all your tips will really help our Y13 students. They will have got lots out of it ! Thanks ! “

Head of Drama, Stokesley School

This workshop explores the performance art of clowning. It is very  practical and is similar to a drama class except that the emphasis is on investigating comedy techniques and humour. Although clowns are acting their style of performance is different, it being more akin to commedia del arte than to Shakespeare. In commedia the actor has a specific character to play , behaves in a certain way and has particular set pieces  but no script, a Shakespearean actor on the other hand must learn the lines and perform as directed. Clowns  are extremely imaginative and creative. They do plan and rehearse their acts but there is likely to be more flexibility as clowns  respond directly to the audience and often improvise.

 

Stagecraft is an important part of clowning. The clown performer must know how to communicate with the audience and how to hold the attention of the audience. The clowns vulnerability, the way the clown moves , how the clown reacts, timing, displaying emotions etc are all skills to be practiced and learnt.

 

Every clown must have a recognisable character. Character development is vital. There are different types of clowns. Some clowns are silent, some are very stupid, some are pathetic whilst others are bold or clever. Consideration must be given to costumes  and make up as each clown has a unique appearance.  Ask anyone to describe a clown and they will usually mention big feet, red nose, funny hair, baggy clothes, make up and possibly a flower that squirts water. This is the image most often displayed on  bill boards, in advertising, in children’s books  etc. It is represents the typical circus clown. It also conjures up expectations of a certain kind of behaviour. Not all clowns are like this and modern contemporary clowning is quite different to the traditional slapstick routines of the circus ring.

 

Clowns need to have a good imagination and they must be creative. They must be able to improvise. These qualities can be developed through play.  It is through play that we are able to  release our creative spirit and to unfurl our imagination. By releasing our minds from the constraints of normality we can unleash our comic inventiveness. In the world of the clown anything is possible.

 

Standing before an audience and playing the fool requires confidence and making them laugh requires knowledge and skill.

 

This workshop offers many potential benefits such as developing creativity and creative thinking, building confidence, encouraging self expression, learning to deal with unexpected circumstances, thinking on your feet, coping with difficult situations, working with other people, use of body language etc

 

The workshop may be useful to teachers organising school productions with a circus theme, as an interest day, for PHSE, as part of an activity day ,as an option for an activity week or as a rewards day.

 

For English Departments we can explore the use of words and word play in comedy. The use of puns, parody, irony, alliteration, malapropos, contrast, exaggeration, understatement, satire, incongruity, retorts, word distortion, juxtaposition, spoonerisms etc

 

The clown performance workshop is suitable for KS2 at primary schools and Year 7 at secondary school. It will also work for  GCSE  and A level drama groups or any pupils who are genuinely interested in participating constructively.

 

 

 

 

 

 

 

 

 

 

 

 

 

Comedy Techniques, Comic Timing, Movement, Emotions, Improvisation, Mime, Communication, Spontaneity, Creativity, Word Play, Character, Slapstick, Impersonation, Humour, Rule Of Three, Reaction, Eye Contact, Focus, Routines, Skits, Power Of Silence,  Vulnerability, Surprise, Escalation, Reciprocal Destruction, Double Takes and much more...

There’s more to it than you think !